A 15-year-old schoolboy is accused of the murder of one of his teachers. His lawyers, the guarded veteran, Judith, and the energetic young solicitor, Constance, begin a desperate pursuit of the truth, revealing uncomfortable secrets about the teacher and the school. But Judith has her own secrets which she risks exposing when it is announced that a new lie-detecting device, nicknamed Pinocchio, will be used during the trial. And is the accused, a troubled boy who loves challenges, trying to help them or not?
The process of coming to terms with its National Socialist past has been a long and difficult one in Austria. It is only over the past thirty years that the country's view of its role during the Third Reich has shifted decisively from that of victimhood to complicity, prompted by the Waldheim affair of 1986-1988. Austria's writers, filmmakers, and artists have been at the center of this process, holding up a mirror to the country's present and drawing attention to a still disturbing past.
This is an autobiography with a difference. Harry has had a very varied career, first spending five years in the Colonial Service in Sierra Leone then in a variety of posts in different industries, including a spell as company secretary to a British-owned company in India.
As Joseph Pearson poetically puts it in this rich look at one of Europe's most fascinating cities: Berlin is a party in a graveyard. Europe's youth capital, Berlin is also beset by sustained guilt for the atrocities that were ordered by its Nazi officers during the Third Reich. Built and rebuilt on the ruins of multiple regimes, Berlin in the twenty-first-century houses an extraordinary diversity of refugees, immigrants, and expats.
Paul Sutton in conversation with and about six of the most important English filmmakers of all time, from his correspondence with Lindsay Anderson (Sutton edited Anderson’s Diaries for publication); to a discussion with Kevin Brownlow in which they get to the heart of Chaplin’s genius. There are full-career discussions with Clive Donner, Mike Hodges and Michael Winner. Sutton talks with Vivian Pickles (Harold and Maude) and the Oscar-nominated sound engineer, Brian Simmons, about the films of Ken Russell.
The popular analytical study of the pioneering English composer. The historian, Paul Sutton, takes the reader through a vastly entertaining potted history of rock music pioneers, tracing them all back to “a delta of Mississippi mud from where howled the first harmonica, and from where was heard the first blue plucking finger on string”, to show that popular music was strictly The Imitation Game until Gary Numan came along with his Machine Quartet, four albums that completely re-invigorated rock and roll.
Over a period of ten years, Paul Sutton interviewed Ken Russell and hundreds of people who worked with him. This landmark book includes, for example, the first-hand testimonies of more than a dozen people who worked on Women in Love, and twenty-three members of the cast and crew of The Devils. Actors, editors, designers, continuity women, producers, assistants, special effects artists, composers, sound recordists, and the camera crews, all recall their working days with Ken Russell.
Guy Griffith (Trinity Hall 1920) and Michael Oakeshott (Caius 1920)
First published in 1936 when the authors were fellows at Caius, this light-hearted manual is a quirky mix of philosophy and horse racing.
Oakeshott went on to become one of the greatest political philosophers of the 20th Century. Republished this year with a foreword by journalist Peter Oborne (Christ's 1975) and preface by racing journalist Sean Magee (St Johns 1969), this gem is now available for fans of philosophy and racing.
Countries are increasingly introducing data localisation laws, threatening digital globalisation and inhibiting cloud computing adoption despite its acknowledged benefits. This multi-disciplinary book analyses the EU restriction (including the Privacy Shield and General Data Protection Regulation) through a cloud computing lens, covering historical objectives and practical problems, showing why the focus should move from physical data location to effective jurisdiction over those controlling access to intelligible data, and control of access to data through security.
This entertaining and accessible debut poetry collection takes the reader on a journey through the entire panopoly of human experience, using humour and pathos to explore themes of love, loss and other important stuff such as nanotechnology, cloning, and Karl Ove Knausgaard’s beekeeping skills. It also contains one of the few love poems to have been inspired by an episode of Steptoe and Son, as well as a moving tribute to the first dog in space.