In We Sang Better, two hundred singers explain the art of singing in over 70,000 of their own words. Much of their evidence is appearing for the first time in a modern edition. In Volume 1 How We Sang (490 pp) the singers present their basic advice.
Edited by Gijs Berends (Queens' 1996) and Dominic Al-Badri
The triple disaster that struck Japan in March 2011 began with the most powerful earthquake known to have hit Japan and led to tsunami up to 40 meters in height that devastated a wide area and caused thousands of deaths. The ensuing accident at the Fukushima-Daiichi nuclear power plant was Japan's worst and only second to Chernobyl in its severity.
Social responsibility has become a goal for both employers and employees in the business community. But what does the term “social responsibility” mean, and what paths must businesses take to make a positive impact on society? Business Behaving Well provides a rationale and roadmap that will enable businesses to integrate social responsibility into their purpose and operations.
John Brande Trend, the first Professor of Spanish in Cambridge in 1933, arrived at his Chair by a circuitous route through a variety of disciplines, encountering a host of prominent people in pre-war political, cultural and intellectual life. It was this wider experience that made his teaching so unique and makes his story central to the period through which he lived.
Professor Haroon Ahmed (King's 1959, former Master of Corpus Christi)
Cambridge Computing: The First 75 Years covers the 'halcyon' years of Roger Needham's reign and the expansionist eras of his successors, Robin Milner, Ian Leslie and Andy Hopper. The story begins with Charles Babbage and his 'magical machines' and includes Alan Turing, whose 'Universal Turing Machine' defined the theoretical basis of computability. The central theme of the book is the 75-year history of the Computer Laboratory.
Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs, but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement.
In our post-9/11 world, the figure of the stranger - the foreigner, the enemy, the unknown visitor - carries a particular urgency, and the force of language used to describe those who are "different" has become particularly strong. But arguments about the stranger are not unique to our time.
Michael Jackson's Lifeworlds is a masterful collection of essays, the culmination of a career aimed at understanding the relationship between anthropology and philosophy. Seeking the truths that are found in the interstices between examiner and examined, world and word, and body and mind, and taking inspiration from James, Dewey, Arendt, Husserl, Sartre, Camus, and, especially, Merleau-Ponty, Jackson creates in these chapters a distinctive anthropological pursuit of existential inquiry. More important, he buttresses this philosophical approach with committed empirical research.
In December 2010 the US Embassy in Kabul acknowledged that it was providing major funding for thirteen episodes of Eagle Four—a new Afghani television melodrama based loosely on the blockbuster US series 24. According to an embassy spokesperson, Eagle Four was part of a strategy aimed at transforming public suspicion of security forces into something like awed respect. Why would a wartime government spend valuable resources on a melodrama of covert operations?
Awestruck by the sight of a Grinling Gibbons carving in a London church, David Esterly chose to dedicate his life to the art - its physical control, intricate beauty and intellectual demands. Forty years later, he is the foremost practitioner of Gibbons's forgotten technique, which revolutionised ornamental sculpture in the late 1600s. After a fire at Hampton Court Palace in 1986 destroyed much of Gibbons's masterpiece, the job fell to David Esterly to restore his idol's work to its former glory.