This book offers a fresh approach to the history of U.S international relations during the past three centuries. The central argument holds that the United States was part of an evolving Western imperial system from the period of colonial rule to the present. This proposition is set in motion by identifying three phases of globalisation and assigning empires a starring role in the process. The transition from one phase to another generated the three crises that form the turning points the book identifies.
Drawing on her family's own experiences and those of other parents facing the death of a child from illness or a life-limiting condition, Sacha Langton-Gilks explains the challenges, planning, and conversations that can be expected during this traumatic period. Practical advice such as how to work with the healthcare professionals, drawing up an Advance Care Plan, and how to move care into the home sit alongside tender observations of how such things worked in her own family's story.
States routinely and readily exploit the grey area between sentiments of national affinity and hegemonic emotions geared to nationalist aggression. In this book, Arshin Adib-Moghaddam focuses on the use of Iranian identity to offer a timely exploration into the psychological and political roots of national identity and how these are often utilised by governments from East to West.
Post Millenium Britain...Cambridge after the 800th
"At what point," he thought, "did one's youth become part of history?..."
The return of architects Eleanor Sanders and Peter Hunter, both 80’s alumni, to the University town for a charity event―the televised renovation of a college house in the 12 days leading up to Christmas―is marred by tragedy. As the story unfolds, it soon becomes apparent that the case may not be as cut and dried as it seems and that, perhaps, everyone (save one) could be missing the wood for the Christmas tree…
Born to the sound of an express whistling through the station, Pal Shripney’s complacent existence of standing back and letting others in life’s train do the rushing by ends when his sister Alice and her Anglican curate husband Jack become lottery winners and call for help. Irreverent Pal finds himself in a strange new ecclesiastical world of diocesan dignitaries and parochial pastoral care. He is enlightened by sharing in a mission project in Thailand, but it is interrupted by Jack catching dengue fever. Publicity of Jack’s win brings grief when his sister Janet is abducted for ransom.
Railway enthusiast Pal Shripney’s life ends gently as he listens to Arthur Honneger’s steam engine romp Pacific 231. But for his son Pip, with his concubine Petra, and for his nephew Harry, a Cambridge history don, the locomotion gains pace. Wanting to marry and raise a family, Pip and Petra face hurdles. Where in this complicated world can an uncle legally marry his niece? Meanwhile on an aid project in Cambodia they discover mysterious Chloe and unsettling Kevin.
Varius is the nomen of the Roman emperor misnamed Elagabalus or Heliogabalus. These are names of the Syrian sun god Elagabal, whose high priest Varius was while emperor. There is no evidence that he was ever so called when alive. Thus named, his posthumous legendary or mythical avatar thrives, in academic prose and popular imagination, as a Semitic monster of cruelty, depravity, fanaticism, mockery and extravagance. Recently, this monster has metamorphosed into an anarchist saint and martyr of gay liberation.
Elagabal is the name of the Syrian sun god whose high priest Varius was, at the same time as Roman emperor, AD 218-222. Because of this connexion, Varius was misnamed Heliogabalus or Elagabalus long after his death. Second in the series VARIAN STUDIES, this book discusses Elagabal’s architectural and sculptural legacy in Rome. These are represented by the Palatine site of THE VARIAN TEMPLE OF ELAGABAL IN ROME, and by relief sculpture on column capitals found in the Roman Forum, showing Elagabal with other deities, in a scene of sacrifice here reconstructed as ELAGABAL’S IDYLL.
Heliogabalus and Elagabalus are names given since late antiquity to the mythical or legendary avatar of Varius Avitus Bassianus. Varius was Roman emperor AD 218-222, ruling as Marcus Aurelius Antoninus. He was simultaneously High Priest of the Syrian sun god Elagabal. Heliogabalus and Elagabalus, names derived from Elagabal, are often used as misnomers for Varius himself, but more properly designate his avatar, who is far better known than Varius.